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Music Ph.D.

Introduction

The Doctor of Philosophy (Ph.D.) degree in music has an emphasis in cross-cultural studies, and aims to provide doctoral students with an integrative framework for music scholarship, emphasizing the ways in which musicology and ethnomusicology interact and complement one another.

In addition to cultural approaches to musical style, the program also encourages the integration of scholarly research with musical performance, emphasizing the manner in which performance serves both rhetorical and symbolic ends within various cultural settings. To this end the concept of “performance practice” plays a significant role in this program, given that the concept of historically or culturally informed performance is applicable to music from the earliest times to the present day in all geographical and cultural regions, and can encompass research activities as diverse as fieldwork, historical editing, and recording, as well as publishing of books and articles on the traditions of composition and performance.

Advancement to Candidacy

Course Requirements

Students entering the Ph.D. program with a bachelor’s degree are required to complete the following:

This course
MUSC 200Introduction to Research Methods

5

Plus three courses from the MUSC 203 Performance Practice series:
MUSC 203APerformance Practice in the Middle Ages

5

MUSC 203BPerformance Practice in the Renaissance

5

MUSC 203CPerformance Practice in the Baroque

5

MUSC 203DPerformance Practice in the Classic Period

5

MUSC 203EPerformance Practice in the Romantic Period

5

MUSC 203FPerformance Practice in the 20th Century

5

MUSC 203GConcepts, Issues, and the Practice of Ethnomusicology

5

MUSC 203HArea Studies in Performance Practice

5

MUSC 206D or a course in the MUSC 254 series may each substitute for one 203 course.

Plus two courses from the MUSC 253 series:
MUSC 253AHistorical Perspectives in Musicology and Ethnomusicology

5

MUSC 253BRhythm, Time, and Form

5

MUSC 253CMusic and Discourse

5

MUSC 253DIssues in the Ethnography of Music

5

Plus three courses from the MUSC 254 series:
MUSC 254CPerformativity and Music

5

MUSC 254DOrganology and Acoustics

5

MUSC 254EAsian Resonances in 20th-Century American and European Music

5

MUSC 254FBeethoven

5

MUSC 254JJazz Historiography

5

MUSC 254KMusic, Gender, and Sexuality

5

MUSC 254L
/DANM 254L
John Cage: Innovation, Collaboration, and Performance Technologies

5

MUSC 254MMusic in San Francisco, 1850-1950

5

MUSC 254NCruising the Postcolony

5

MUSC 254OHistoriography of American Music

5

MUSC 254RResearch Design and Grant Writing for Music Scholars

5

MUSC 254XMinimalism

5

Plus the following course during each quarter of residence:
MUSC 252Current Issues Colloquium

0

Students must enroll in MUSC 252, Current Issues Colloquium, until advancing to candidacy. 

Elective Requirements

Students entering the Ph.D. program with a bachelor’s degree must take three elective graduate seminars, one of which must be outside of the Music Department. Elective seminars should be selected in consultation with the student’s faculty adviser.

Electives in the Music Department might include an additional course from the MUSC 203 Performance Practice series, an additional course from the MUSC 253 series, or an additional course from the MUSC 254 series. 

Elective course options also include the following seminars: 

MUSC 201History of Music Theory from the Greeks Through Rameau

5

MUSC 202Tonal and Posttonal Analysis

5

MUSC 228Techniques of Modernity and Aesthetic Formations

5

Second Year Research Paper

Ph.D. students entering the program with a bachelor’s degree are required to submit a research paper by the end of their second year in residence, which will be revised under the supervision of the student’s faculty adviser, and will be evaluated at the end of the year by the adviser and an additional faculty member.

Students entering the Ph.D. program with a master’s degree are required to complete following courses:

Three courses from the MUSC 203 Performance Practice series:
MUSC 203APerformance Practice in the Middle Ages

5

MUSC 203BPerformance Practice in the Renaissance

5

MUSC 203CPerformance Practice in the Baroque

5

MUSC 203DPerformance Practice in the Classic Period

5

MUSC 203EPerformance Practice in the Romantic Period

5

MUSC 203FPerformance Practice in the 20th Century

5

MUSC 203GConcepts, Issues, and the Practice of Ethnomusicology

5

MUSC 203HArea Studies in Performance Practice

5

Two courses from the MUSC 253 series
MUSC 253AHistorical Perspectives in Musicology and Ethnomusicology

5

MUSC 253BRhythm, Time, and Form

5

MUSC 253CMusic and Discourse

5

MUSC 253DIssues in the Ethnography of Music

5

Three courses from the MUSC 254 series
MUSC 254CPerformativity and Music

5

MUSC 254DOrganology and Acoustics

5

MUSC 254EAsian Resonances in 20th-Century American and European Music

5

MUSC 254FBeethoven

5

MUSC 254JJazz Historiography

5

MUSC 254KMusic, Gender, and Sexuality

5

MUSC 254L
/DANM 254L
John Cage: Innovation, Collaboration, and Performance Technologies

5

MUSC 254MMusic in San Francisco, 1850-1950

5

MUSC 254NCruising the Postcolony

5

MUSC 254OHistoriography of American Music

5

MUSC 254RResearch Design and Grant Writing for Music Scholars

5

MUSC 254XMinimalism

5

Plus the following course during each quarter of residence:
MUSC 252Current Issues Colloquium

0

Students must enroll in MUSC 252, Current Issues Colloquium, until advancing to candidacy. 

Plus the following course:
MUSC 299Thesis Research

5

Elective Requirement

Students entering the Ph.D. program with a master’s degree must take one elective graduate seminar from outside the Music Department. This seminar should be selected in consultation with the student’s faculty adviser. 

Language Proficiency Requirement

All Ph.D. students are required to demonstrate reading knowledge equivalent to at least one year of coursework for two languages other than English. One of these two languages must be relevant to their area of interest. This requirement must be met before taking your program’s Qualifying Exams (see below).

To complete this requirement, current skill in reading and comprehension of a language other than English must be demonstrated in one of the following ways:

  1. Native speakers of a language other than English will satisfy this requirement.
  2. Satisfactory completion of the third quarter of a language other than English at UCSC, or a year equivalent of a summer intensive language course at an accredited university, preferably in the first year of the program. These courses may be taken with a satisfactory/unsatisfactory grading status.
  3. Submission of an official transcript documenting successful completion of one year of university-level language instruction at another institution (equivalent to level 3 at UCSC).
  4. Passing a language proficiency examination administered by the Music Department in French, Spanish, German, Italian, or Russian. This test requires translation of a passage of at least 600 words with no resources other than a dictionary, to be completed in 1.5 hours. If a student does not pass this test, enrollment in the appropriate language at UCSC will be required. You may only attempt this proficiency examination once.
  5. For languages other than French, Spanish, German, Italian, or Russian, the department may accept completion of an online course as fulfilling the requirement, if the student can demonstrate that the course builds skills equivalent to those gained in a “level 3” (third-quarter) language course at UCSC. The Graduate Committee will determine whether or not to accept any such course.

Graduate Division policy states that the language requirement must be completed prior to taking the Qualifying Exam. In order to advance to candidacy, a Report on Language Requirement form must be submitted to Graduate Division.

Qualifying Examination

Advancement to candidacy is contingent upon passing both written and oral examinations. The written qualifying examination will test knowledge absorbed through the two years of coursework as well as material in the student’s field of concentration. The oral examination will focus on the previously completed written examinations well as the student’s developed expertise in her/his chosen specialization. Students must be registered in the quarter in which they take their qualifying examination.

The examinations will normally be administered in year 4 for students entering with a bachelor’s degree, and in year 3 for students entering with a master’s degree.

Advancement to candidacy will be granted after successful completion of the written and oral examinations, acceptance of the dissertation reading committee form, satisfactory completion of coursework and the foreign language requirement, and the payment of the necessary fees.

Letter Grade Policy

Graduate students must take all core courses for a letter grade. These courses include the following: MUSC 200, MUSC 201, MUSC 202, MUSC 203A-MUSC 203H, MUSC 206A-MUSC 206D, MUSC 219, MUSC 220, MUSC 253A-MUSC 253D, and MUSC 254A-MUSC 254X. Grades of C or D do not satisfy any course requirement for a music graduate degree.

The colloquium course (MUSC 252) must be taken with the Satisfactory/Unsatisfactory grade option.

Independent study courses (MUSC 261, MUSC 265, MUSC 295, MUSC 297, MUSC 298, and MUSC 299) may be taken with the Satisfactory/Unsatisfactory grade option.

Non-Terminal Master's Degree

Students who entered the Ph.D. program with a bachelor’s degree may apply for the M.A. degree after completion of a minimum of five quarters in residence, evidence of the completion of the equivalent of one year of a foreign language at UC Santa Cruz, the fourth-quarter research paper, and the following courses: MUSC 200, one course from the MUSC 203 series, MUSC 252 each quarter in residence, one course each from the MUSC 253 and MUSC 254 seminar series, two elective graduate seminars (one of which may be outside of the Music Department), and MUSC 297.

Dissertation

Dissertation

To satisfy requirements for the Ph.D. degree, students must complete a dissertation and are strongly encouraged to present a related formal lecture or lecture-recital. The student will develop a dissertation prospectus, which will be due six months after advancement to candidacy. Guidelines for the format and content of the prospectus can be found on the Music Department web site. The dissertation must embody substantial and original scholarly work based on a clearly distinguishable contemporary or historical music-cultural tradition, in any music-culture(s) of the world in which the UCSC program offers expertise. The public lecture or performance must demonstrate the student’s grasp of the pertinent music-cultural performance tradition or music-cultural and/or music-historical concepts.

Dissertation Preparation Course Requirements

Students preparing for the dissertation should complete at least one quarter of MUSC 299, Thesis Research, with the faculty adviser. 

Dissertation Defense

The final examination will be an oral defense of the dissertation open to the university faculty.

Successful completion of this examination will be determined by a majority vote of the dissertation reading committee.

Additional information about the program, including application and admission, is available from the Division of Graduate Studies and on the department website.

Academic Progress

For more information about maintaining academic good standing, students should consult the Academic Requirements and Standards section of the Division of Graduate Studies Handbook.

Applying for Graduation

For more information on applying for graduation, students should make an appointment with the Graduate Program adviser and consult UCSC's Graduate Division Handbook.